Which Way to the Yelling Room?

Pressure provides an excellent motivator in almost all things.  You want to be pushed to do more, excel in what you can, and try your hardest in all you do.

At least until everything starts to pile up and you need to scream.

You know, to relieve tension and such.

Since college I have learned to not only work well under the pressure of a dozen things going on at once, but also learned how to thrive when it happens.  The upside was that even with getting sick (this was pre-transplant), long hours for school studies, and what I will term "wacky" scheduling from the management of my old retail job; I was getting things done.  I was working on my writing, doing the odd freelance job, and trying to keep up the cleanliness of my home.  The only downside, it seemed, was that things would come crashing down the minute I was hospitalized and too sick to work on projects.  Naturally, all the juggling balls don't juggle themselves, and the moment you step away everything falls apart.  However, nearly 5 years away from that liver transplant, and I realize that something else was happening during those years when I had so much going on.

I was getting hooked on having too much to do.

Odd thing to say, but I think it is possible to get addicted to having a full to the brim plate of ideas, projects, and chores to work on.  On the one hand, it keeps you from being lazy and you are forced to not waste time.  On the other hand, you never really have free time to relax, so you can get hyper stressed at the drop of a hat.  I have decided I would like the best of both worlds, please?

I need to have that pressure to keep me working, keep me on task, but not so much that I wish I had a third bedroom at home just so I could have protracted screaming sessions to alleviate stress.  What I want is knowing that I have things to do during the day, but at the end of the day have accomplished them for the most part.   Funny thing, this is more type A then type B.  I guess my type B tendecies come out in that I am always thinking of something new and exciting to do--but the type A side pops in and says it must be done by day's end or I've failed to get things done for the day.   I want to have a day where I don't feel rushed, but also don't feel like I could be a lump and just waste a few hours and not have it effect things.  (Barring vacations of course, because we all need time off.  I'm talking strictly the daily grind type stuff.)

So anywho, which way to the yelling room?  Because it would appear between a fantastic job opportunity (if I get it), personal projects with the Junk Journals, hoped for work from a revitalized CaptainKYSO, and my work on creative writing projects for my children's fantasy novels--I'm a little busy and have a full plate.

I guess last week was the right, wrong week to get sick.  But it's okay.  Because sometimes a bit of pressure, even extreme pressure, can be a good thing.

Easy Come, Easy Go: Writing Job Woes

Six hundred-plus words written, possibly for naught.  Even in the world of freelance writing gigs that sometimes is a hard blow.  I was so certain that this one job that I got through a freelance writing site was going to deliver a steady few bucks each week. I don't mean that in a cocky way, just that I was offered a trial spot, was given a prompt and told to write something short. So, I wrote a 600 word article, sent it off, and....a week later I still hadn't heard anything back.

So I did a bit of poking around, and by poking around I mean I went to the website that had said they were going to hire me, but wanted to test my skills first.  There on the site I find an article with a theme similar to the prompt I was given that went up two days after they said that they were likely to hire me.  Now, opportunities come and go in this business.  Sometimes sure things are not so sure, some times you land something semi-steady.  Sometimes you see stuff dry up.  There are feast times and famine times.  I guess I would call this "food snatched off the plate times" if I had to put a name to it.  Funny thing is it would not bother me as much if I had been told by the client that they went another direction--like, incredibly short copy.

I wrote 600 words and spent a few hours on my article.  The article they went with on the site was roughly 150 and is something I could punch out in roughly 30 minutes. 

That kinda stings.  

Funny enough I put in that many hours, sometimes more, when I do an article for another freelance site where I am not even trying to do a contract.  You basically follow a writing prompt, put the work out there, and hope the client likes it.  Sometimes you wait weeks (or months depending on your place in the que) to here back on whether they've bought the post, seen the post, or rejected the post.  Maybe it is a pressure thing.  There is no pressure when I write those blog posts.  They may take it, they may not.  My feelings are not hurt either way.  However, I guess it hurts a little when you actually contact the person and talk to them rather than do all business anonymously.  

On to other projects I suppose.

The Junk Journals go well.  I think I've reached the end of what I can actually pare down in my home (for the time being) and now I have to take these numerous notes, essays, and observances and see if they work as well as I hope for self-help book to post on Amazon.  Maybe it will go well, maybe it will not see the light of day as sometimes happens with creative projects.  Either way, things are what they are.  I have my hopes for other projects, but I don't always want to talk about those things in a public way.  You have to keep some stuff to yourself until it is ready.  Right?

Anywho.  I'm working on another writing tips/advice article for tomorrow, so I hope to "see" you again tomorrow.  Talk to you then!

Keeping Up the Pace

How many words per minute can you type?

Can you do 60 words or more a minute?

I wish I could.

Not because I think this skill will be of use in landing me a kick-butt secretarial job or some other recorder type position, but because I feel like my typing can't keep up sometimes with my train of thought or my ability to dream something up.  Not meant as a brag, just a fact.  I could probably rattle off a story into a microphone faster than I can type it.   Except I'm not really the "tell an oral story" kind of guy.  Much as I love the oral tradition, as it is called, I love the written word more.  Sometimes I can only ring out one idea or paragraph at a time and I plod along to get the job done.  Other times I feel like if it weren't for other obligations I could just write from dawn til' dusk.  Yes, those obligations even include potty breaks.  When I, or another writer, get into that coveted "leave me alone, I'm writing" groove it leaves me wondering:  can we as writers ever hope to keep up with our own ideas?   Do we lose great ideas that will never enter our heads again?  Can we compensate if our mind clicks along but the keyboard doesn't?

First, I have to say from experience it feels like a monumental task to keep up with my creative side when I can only crank out about 30-50 words a minute.  Just because I am a writer, doesn't mean I can zoom along the keyboard...well, most of the time.  I admit sometimes I feel like Mario and I can crash through mental barriers like I've just touched a invincibility star and writer's block is so many goombas.  I love those times, as I'm sure every writer does.  Should I feel bad for the times that ideas come more slowly though?  Maybe they just needed a bit of time to marinate.  I'd like to think that most times I can keep up with my own thoughts, but there are times when I can't.  Have you had those times?

I have been flying along at the keyboard, a scene is coming together just the way that I want then BAM!  I have to make a decision about one of five directions the story can take from there and sometimes they can be incorporated into a latter part of the story.  So the easy solution to that problem would seem to be that I could make a quick note to myself, and come back to that idea later after I pursue another one.  The problem is that it doesn't always work that way for a writer.  Some times you can see for miles down the writing road, but you know that once you start on one path, you can't see those other paths quite as clearly.  Sure, you can kind of trace them there in the distance and you know their final destination if you check a map or look at the notes you took.  But much like real life, a map can only tell you so much, and a seeing a map of where things go is not the same as seeing the road that gets you there.  At times like that I envy the cartoonists and artists that I know, both at home and on twitter.  Artists like Apelad or Walmazan create several iterations of a design and can show it off and the viewer can get a clear picture of the ideas they were going for in each design.  I am not sure if it is easier, but when I get stuck trying to remember where a certain pathway was going, I envy their talent for making a picture convey more than just a thousand words.  So how do we compensate for those times when we have lost a thought or know that we might have had a fantastic idea that we totally lost track of?

I wish I had a fantastic answer or that one was out there either online or in a book.

I've heard everything from "write it down" to "draw a picture about it when it comes along," nothing seems to work though.  Sometimes you are blessed and you can easily lock on to that old road you nearly took and add it to the story you were writing.  Sometimes you totally forget why that particular arc was interesting or so full of promise.  Either way, you need to keep pace with yourself and keep writing.

So here I am writing, trying to keep up a pace that will help me not only stay ahead of my thoughts, but will hopefully allow me to stride confidently down whatever story path I choose.  I hope those of you who actually read this blog can stride ahead too and keep up a good pace.

Five Fantasy Writing Tips

Maybe it's just me, but I feel like too often in today’s fantasy fiction writers seem so eager to press ahead in their particular “once upon a time…” that they neglect to keep the most simple of writing tools handy to keep my interest.  Just because we are reading or telling stories about barbarians does not mean that we have to end up sounding like one when we craft a tale, does it? Okay, maybe that sounds a bit stuck up, but it kinda bugs me when I try to read through something and find it lacking in ways that feel should have been caught on the first draft.  I'm not trying to ride a high horse about this, and I'm not going to pretend that I know every tip and trick that will help make a story unique. What follows are just a few rules that I try to follow when doing my own writing.  Not trying to sound stuck up, just thought I'd put this out there as part of the way that I go about things:

Some Do’s and Don'ts of Fantasy Writing

1. Don’t be afraid to use a baby book for character names:  How often have you picked up a fantasy book and found that the names of the characters seem to be a hodge-podge of vowels and consonants such as Aaora the Blind, or Nymirec the Ugly, or Sweaui the Witch?  Is there anything wrong with John, Alex, or Jennifer?  Even if these seem bland at first, you may end up liking them more than you own creations.  In addition to this, there are innumerable names in various languages.  Consider doing a little bit of library time to see the meanings of various names.  You may find that a simple sounding name has a powerful meaning or a different language translation that sounds more epic than just calling your hero "Timmy."
2. Do be aware of what are accepted norms of fantasy books:  When was the last time you saw a magician use a bow and arrow?  Has the mighty warrior been tender and compassionate?  Does the smart-alec thief turn out to be an elf?  Well all of these may be intriguing ideas for characters, sometimes it feels like writers are trying too hard to be different.  I need back story with that inventiveness, not "Oh, my magician can wield a bow.  Not to say people can't multitask, we do it all the time in real life.  As a reader I can be open to an elfin thief and bow-wielding magician, or the idea of  an overly compassionate warrior.  However, I won't warm up to these ideas and others if it feels like a cheat.  If you elf is a master thief simply because you needed some object to be in the hero's hands, you can't just sort of drop it in there.  It is sloppy and insulting, sorry, but it is.  Go to a local book store and skim through the fantasy section if you have any doubts or worries about what your characters are doing. 
3. Don’t get too complicated too quickly:  Readers are intelligent and wonderful people.  After all, they are going to be buying your books in the future, aren't they?  Well, your audience may be intelligent, but do not overload them with back story too early on.  A reader appreciates being led through your world as if it is a real place they could visit.  Tell them too much and they might be forcibly reminded of a history lesson.  Although you may have a wise, seemingly all-knowing magician, it won't help to have him explaining every facet of your world.  Let the readers wonder a bit, but don’t give them so much to wonder about that they lose interest in the particular story that you are telling.
4. Don’t use too much dues ex machine:  The aforementioned all knowing wizard cannot be all knowing.  There is no adventure and excitement without doubt.  Doubt in the hero, doubt in the fidelity of the woman, doubt in the lovable but sneaky rogue.  If there is no doubt in the reader’s mind that the story will end well (or sad depending on your story) then there is no thrill.  If the all knowing magician has too many answers, then the reader may look to him or her or whatever “it” that you have created that solves all the characters problems.  Maybe I just don't like my plot points to seem like handouts for the hero.  Granted, the magician could die, the seer could lose her powers and the magical item could be destroyed, but if these things are impervious in your story, then there is no doubt about how the story will end.
5. Do decide whether an action opening is best:  Some of today’s fiction writers seem insistant on getting people’s attention in a fantasy novel by opening with a battle scene.  This may sound good and natural and you may have an orc waiting by who is ready to swing their ax down on a peasant or a witch about to cast a terrible spell on an innocent princess.  However, if you excite your audience’s senses too much too quickly, then all following action will be like bad music after a particularly bold crescendo.  Whatever follows has to be highly intriguing, make us ask questions not out of confusion but out of curiosity.  If you start off exciting, but follow it up with tepid dialogue and pointless meandering then the battle was for nothing, so to speak.  If you want a great example of how to start with action and leave the reader wanting to know more about what is going on, then check out most of Louis L'mour's works.  Whether or not you are into the western genre, there's much to be learned there not only in terms of pacing, but on how to open with action and follow it up with something interesting and engaging.

In general, it is in the best interests of the writer to make their own decisions as to what is working and what is not working in a novel before submitting it for publication.  However, this does not mean that you should approach the process cold with no research at all.   It may very well be that Reynuk the barbarian will be accepted as a name, and that your landscape will be dotted with villainous werewolves who will be content with nothing less then the devouring of every man, woman, and child.  I guess though as a reader and a writer it would be nice to come on story that breathes new life into the fantasy genre with Red Weddings, sparkly vampires, or heartthrob werewolves.

But that's just me.

The Importance of Distraction While Being Creative

Crazy thought here, but I think it's important to have stuff going on around you while you are trying to get something creative done. Whether it's a sketch for tee shirt contest, outlining a story, painting a painting...or working on a blog.

Having distraction around you can be a good thing.  Whether it is a bit of too interesting music, a list of chores that you keep thinking about that needs doing, or a child that needs attention or whatever; having these things going on in the background can be helpful.  Now, I'm not advocating working in a full on hurricane, but what I am saying is that if you are doing something creative that requires a bit of concentration, having constant distractions can actually help you to grow in your creativity.

Between building up a movie podcast and blog with my brother, writing a kids book, trying to be diligent in getting content made for this blog, a gaming blog in the works, not to mention the freelance work I do here and there--things have been busy.  And the midst of that busyness there has been plenty of opportunity to learn this same lesson over and over and over again.  If you can't get the fun stuff done when the world seems to be blaring a trumpet in your ear, how can you be expected to do it in those craved for quiet moments?  And what if those moments never come?

You could spend all day pining for those perfect moments to be creative.  You might imagine yourself looking up from a drawing board, sketch pad, a notepad, or a laptop as you look out a window and think some grandiose thought about the human condition or what-have-you.  You pensively stroke your chin, knowing that a profound bit of artistry is on the verge of emerging from your ever fertile brain.  The only problem is that you've been waiting all day for this mythical moment and that bright, sunny light is a street lamp and the grandiose thought is actually you contemplating having a bowl of popcorn while binge watching something rather than working on the stuff you were planning on doing all day.  What's the point of trying after all, the best inspirational moments have passed.  They were gobbled up like so much else of your day.

The problem isn't really that you don't have the time though or that the "really good thoughts" have been used up for the day.  The problem is you didn't buckle down during the distracting parts.  Those awesome, chin-stroking moments were available to you all day long, you just had to not let the distractions win.

It's a constant struggle to get the ideal moment that we dream of. I'm not saying that they never happen, or that they are a rare thing.  What I am saying is that if you can't get yourself to thinking creatively, to be imaginative against the relentless press of the mundane--then how do you expect to have the discipline or ability to fully appreciate when the perfect moments do come along?  What will it matter to you if the sun is shining as you look out the window onto the most inspirational scene imaginable if that becomes the norm for your creative time?  Yes, we need to take full advantage when they come along, but we also need to be ready for the hard push that will come before those perfect moments.

I guess for myself I've started to learn to appreciate those moments a bit more and learned to push myself to be creative even when the world seems to be coming hectic and unglued.  If I hadn't started to learn to be creative during the distracting times, then the quiet moment like the one I am enjoying as I write this would seem less special to me.

Distraction is helpful.